Behind the Scenes
Errol Morris on the Art and Science of Markets
In learning about markets, I’m confronted with questions: What governs their behavior? What do they really represent? What are they telling us? What do they mean?
Couple these quandaries with the deep human need to learn something from the past, not just make sense out of it. What governs boom and bust? Why one price rather than another? And one of the deepest questions: Can we predict the future? The 1950s and ’60s saw as great a revolution in finance as the one in science during the early Renaissance. We’ve witnessed the growth of computers and come to the realization that the markets themselves might be a real-world computer, with investors playing the role of processors.
What science does is try to make visible the hidden, the unknown, the potentially indecipherable. People are always hoping that scientists will reveal to them the true meaning of things. But even if science takes us deeper into the behavior of the world around us, it does not reveal deeper meaning. Why do things behave the way they do? Why do certain phenomena commandeer our attention, directing it to hidden patterns cloaked in the ubiquity of noise? As in art, so in science that eternal question remains: What is defined by us and what is out there to be discovered by us?
We’re trying to discover a reality beyond what is manifest. We’re learning to look at the world in a different way than the familiar or the expected—realizing that subtle shapes and strange forms can often reveal something new and unexpected. Art and science show us that there is often something beyond our ken, beyond our reach. Ironically, modern finance doesn’t tell us about what will happen next. It takes us into that mystery.
—Errol Morris
Paul Leonard-Morgan on Composing the Film’s Score
Collaborating with Errol is always a unique process. Music drives the momentum and energy of many of his films. When he approached me about his film on the world of finance, it got my brain going overtime.
The thought of stock tickers, the tapes printing out—it gave me this thought of creating a real energy and hustle and bustle to the music. The momentum of these images was what I tried to transfer into musical motifs, so in all the tracks there are perpetual-motion rhythms and polyrhythms. There’s a real pace and flow to the music, though one never fully settles into it. Every time you feel the music getting into a groove, it takes you in a different direction, so you’re never sitting comfortably—the same frenetic feeling I would imagine one finds on the stock market floor.
Recording the orchestra in Nashville really brought these tracks to life. This kind of music is incredibly tough to play, with the wind playing arpeggiated motifs in different time to the strings—all these rhythms driving the pace of the film and helping the story on its journey, the same way that the tickers create an energy. The musicians did a phenomenal job.
—Paul Leonard-Morgan
Listen to the Tune Out the Noise soundtrack on:
About the Art in the Film
David Booth, the Founder and Chairman of Dimensional, is an avid art collector. The grounds of Booth’s residence along Lake Austin in Austin, Texas, are home to the numerous paintings, sculptures, and other pieces featured in Tune Out the Noise.
Art and investing may seem like strange bedfellows. Booth sees it differently.
“People say, ‘Well, what kind of art do you like to collect?’ … It’s very similar to my view of economics and investing. I like simple ideas well executed,” he explains in the film. “My view of life is there’s no evidence that complexity adds a lot of value.”

As a philanthropist, Booth has participated in and donated to artistic initiatives across the US. The David Booth Conservation Center and Department is responsible for the preservation of the Museum of Modern Art (MoMA) collection in New York. In 2022, Booth received MoMA’s David Rockefeller Award, presented annually to “an individual from the business community who exemplifies enlightened generosity and effective advocacy of cultural and civic endeavors.”
In the future, Booth plans to convert his property for civic use, making the artwork there accessible to the public.
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